Olivia Colman and Jessie Buckley indulge in some sensational swearing in a hugely enjoyable comedy, while Stanley Kubrick’s iconoclastic horror still packs a punch
When a series of anonymous poison pen letters are sent to prim coastal town resident Edith (Olivia Colman), suspicion immediately falls on her neighbour Rose (Jessie Buckley), an Irish single mother with a boisterous, proto-feminist attitude. There is something inherently hilarious about Colman swearing, and Thea Sharrock’s fact-based 1920s comedy ladles on the creative insults as the writer’s vitriol widens to take in the whole community. Hidden behind the curtain-twitching scandal is a cautionary tale about how the victims of bullying and repression can find distorted outlets for their rage, but watching Colman and Buckley go at it is almost enough in itself.
Out now, Netflix